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Two pianos, four hands : the stages becomes a theater where the play is dual, where the space is music.
The artists share black and white keys, interpret their common staging of the sound which is not betrayed by any translation. Between Italy and France, the dialogue is intrigue and reason, comedy and work, dancing and potrait, mask and unveiling, dissociation and individuals, peaceful fencing and universality.
In a borderless repertoire, the meanning will come from soloists who are already an orchestra here, from the repetition of similar pianos, from the balance of French Music. Thus, what Scaramouche wants to give to the audience with the sight of the artist’s hands and the instrument, is undoubtedly called the pleausure of music, the happiness of the soul with four hands.